![]() Sir Bob Geldof’s daughter and her musician husband Tom Cohen had lived at Wrotham, near Gravesend, Kent, for less than a year with sons Astala, two, and Phaedra, one. ![]() Police described her death as “non-suspicious” but “unexplained”. Mum-of-two Peaches, 25, was found dead at her country home 19 days ago. It is likely they will be read out at the opening of the inquest on Thursday. But the results of tests on blood and tissue samples have now been sent to coroner Roger Hatch. Meanwhile a coroner could next week reveal what caused Peaches Geldof’s death.Ī postmortem on the TV presenter had proved inconclusive. Heartbroken Phlo had earlier posted a message saying "the London dream is dead." In the heartfelt and incredibly personal tribute, Phlo said she and Peaches "shared bodies" and that she "loved with my soul." The R&B artist, a close friend of the tragic 25-year-old, said in the post that she was waiting for the day to be reunited with her friend in heaven. Poster Girl EP will be released on July 27.Peaches Geldof 's pal Phlo Finister has posted a moving Twitter message to her 'one true love' in the afterlife. Now then, how do we go about orchestrating a Lana-Phlo duet? Wait until midnight, and then dive in deep with three tracks from the Poster Girl EP below. “Hotel Miami,” on the other hand, is like hearing Cassie’s icy-R&B take on Utada‘s “Hotel Lobby.” “Can you meet me at my hotel? Meet me at my hotel / Meet me at the top floor, Room 2012,” she breathily seduces, her barely-there vocals gently wrapping around tripping beats and atmospheric textures as she propositions us through the speakers: “Baby, I could be your call girl.” “Coca Cola Classic,” too, is a nod to Lana’s classic American nostalgia and soft drink obsession (and/or drugs) mixed with a trip-hop edge: “I know you love the coke / Baby boy, you so dope,” she coos above a prickly thump, evoking Massive Attack and Portishead. “It’s the last winter and now I’m growing cold / Can I take you with me? Can I take you home?” she gently pleads above a lonesome guitar strum. “Last Winter” sees Phlo bringing the chills across drippy beats, providing a bad bitch narrative of diamonds, dope and dirty dealings that could have easily been found somewhere on Cassie’s RockAByeBaby mixtape or Lana’s Born To Die. Sparse, ghostly and desolate, Poster Girl is already shaping up to become an essential haunt for your late night listening sessions: Think Cassie and Aaliyah at their loneliest, Lana Del Rey at her summertime saddest, Natalie Walker at her dreamiest and The Weeknd at his Weekndiest (oh, how I love the Weeknd.) ![]() Now, Phlo’s preparing to release a debut EP in the UK on Night Beach Records called Poster Girl on July 29, co-produced by Benny Cassette and Andrew Dawson, who is best known for his work with Kanye West, Nas, Jay-Z and, most recently, with the Pet Shop Boys on their shimmering 2012 record, Elysium. As it turned out, all she needed was time - and time was quite kind to her. The California-bred, Youthquaker-inspired (that’s a 1960’s cultural moment, FYI) songstress has been floating (read: phloating) around for a while now: In fact, she’s been slowly generating buzz and releasing music over the past few years, even briefly retiring from music at one point in December.
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